2010 (Jerome S. Handler) “The Old Plantation Painting at Colonial Williamsburg: New Findings and Some Observations.” African Diaspora Archaeology Newsletter. December.
Arguably the best known visual depiction of African American life during the eighteenth century, this small watercolor, owned by the Colonial Williamsburg Foundation (CWF), poses a number of questions of interpretation and identification. The artist did not name the painting, which gives a unique visual perspective on early African American life, but former owners gave it the arbitrary title “The Old Plantation,” by which it is now commonly known. The painting, which is unsigned, undated and not given a provenience, depicts what are presumed to be plantation slaves dancing and playing musical instruments within a rural setting. The history of how this painting came to be known and ultimately owned by CWF is well documented in a recently published work by Susan Shames, the decorative arts librarian with CWF. Most importantly, her meticulous genealogical and historical research has identified the artist for the first time, and has also refined earlier speculations on the probable locale of the painting and the approximate date at which it was made.